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Mel Bochner: Enough Said from the Collections of Jordan D. Schnitzer and His Family Foundation
Mel Bochner (b.1940) consistently probes the conventions of painting and language. Bochner’s text-based works will be on view.
From the Collections of Jordan D. Schnitzer and His Family Foundations, this body of recent works, 2007-2018, challenge audiences to reflect on the nature and structure of everyday language. Curated by Bruce Guenther, adjunct curator for special exhibitions, the exhibition explores language as image and idea through Bochner’s long-held interest in complex printmaking techniques.
“Bochner’s historic use of language and words as both a linguistic system of inquiry and as a formal visual vocabulary of his painting practice has found new focus in the last decade through the artist’s intense engagement with printmaking and his exploration of the relationships of words as image, text, voice and thinking,” says Guenther. “He plumbs English and Yiddish for language’s power to establish identity, to command respect, or to attack in works of unpredictable emotionality and humor.”
“Mel Bochner is one of the most important conceptual artists of our time. His word art makes us smile, laugh, frown and jeer – but always forces us to think,” says Jordan D. Schnitzer. “He seduces us with emotions, words and phrases that we all have used. Whether we laugh or frown experiencing his art, we are forever moved.”
Born in 1940 to an Orthodox family in Pittsburgh, the artist attended Hebrew school and was exposed to art early through his father, who was a sign painter with a workshop in the family’s basement. Displaying an early talent for drawing, Bochner participated in the Carnegie Museum of Art’s innovative children’s art classes, eventually winning a scholarship to Carnegie Melon University.
ojmche.org
Her novel alternates between late medieval Spain and Portugal during the traumatic time of the Inquisition, and a very small town in New Mexico in 1992. The modern New Mexican characters are Catholics with peculiar habits. Nobody in town eats pork but they don’t know why. It is likely they are the descendants of conversos, Jews who converted during the Spanish Inquisition. The story weaves a connecting thread from the Iberian Peninsula to Mexico City and then on to the original settlers who moved into what is now the American Southwest. Five hundred years later, a young amateur astronomer wonders about the secret of the town he grew up in: Entrada de la Luna, or Gateway to the Moon.
Morris’ previous work, The Jazz Palace, won the Anisfeld-Wolf Book Award for important contributions to the understanding of racism in 2016. She also writes short stories and travel memoirs. Her many novels and story collections have been translated into six languages. She lives in Brooklyn, New York and teaches writing at Sarah Lawrence College.
Doors open at 4:00 PM to meet and greet the author. A one-hour author reading and discussion will follow beginning at 4:30 PM. Light refreshments will be served. Admission is free.
Co-sponsored by the Beit Am Jewish Community and the MJCC. Grassroots Bookstore will be there with copies of the paperback edition of Gateway to the Moon for sale and author signing.