Adroit Maneuvers by Michael Bertish.
This timely and thought-provoking drama portrays a very different view of the personal impacts of war in a touching study of intergenerational trauma and the painful dysfunctions that continue to haunt an entire family. The play is full of music, and discussions of art, philosophy, culture, science and politics on a world stage. As details of the story lay out the facts of the past, the audience can’t help but be reminded of the political climate of the present.
Not suitable for children.
ABOUT THE PLAY
“When fascism comes to America, it will be wrapped in the flag and carrying a cross.”
This well-known anonymous statement from the 1930s (often erroneously attributed to American novelist Sinclair Lewis) is a prophetic warning about the rise of authoritarian regimes. With the recent tragic events of Charlottesville and other flashpoints of intolerance in the news, assaults on members of the LGBTQ community and racial, religious and ethnic minorities, attacks on a free press, and the rise of voices advocating extreme nationalism throughout the civilized world, many say that our current time is reminiscent of the advent of World War II. However, the real test of our time is to avoid the trap of reactionary fear and to commit to healing change. Adroit Maneuvers offers a compassionate, hopeful perspective on bridging these divides that threaten to fracture our humanity.
The play is set in New York City in 1996 at the Dinger family home. The story revolves around an elderly grandmother, Tilde, and her adult grandson, Micky, who comes back to the city for a final visit. Micky is determined to get Tilde to open up about her experiences during the Anschluss in Vienna. Until this point in her life, Tilde has never spoken about living through the Nazi invasion and World War II. As Tilde tells her story, her memories come to life and the characters from her past enter to relive vignettes from the golden era of Vienna’s famous café society. Micky discovers Tilde’s acts of selfless courage and her friendships with world-class figures of the day: Sigmund and Martha Freud, Albert Einstein, and members of the Vienna Philharmonic Orchestra. Tilde’s story is interwoven with true historical events, and hearing her story gives Micky the courage to be open for the first time about his own deep-rooted secrets.
This timely and thought-provoking drama portrays a very different view of the personal impacts of war in a touching study of intergenerational trauma and the painful dysfunctions that continue to haunt an entire family. The play is full of music, and discussions of art, philosophy, culture, science and politics on a world stage. As details of the story lay out the facts of the past, the audience can’t help but be reminded of the political climate of the present.
In October 2017, actor/director Tom Hanks said, “If you’re concerned about what’s going on today, read history and figure out what to do because it’s all right there.” Adroit Maneuvers delves into the history of intolerance and brings us to the realization that we have the power to rise above it all through devoted relationships, humility, compassion and forgiveness.
(Photo by Pedro Greig)
White Bird welcomes Australian contemporary circus company, Circa, with their program HUMANS.
After an absence of five years, White Bird is delighted to present the return of the world-famous Australian contemporary circus company, Circa, with the West Coast premiere of their astonishing new work HUMANS. Since 2004, from its base in Brisbane, Australia, Circa has toured the world—performing in 39 countries to over a million people. As was the case in Portland in 2013, with their White Bird debut, Circa’s movement-based circus works have been greeted with standing ovations, rave reviews and sold-out houses across six continents. Under the direction of circus visionary Yaron Lifschitz, Circa’s HUMANS features an ensemble of 10 exceptional, multi-skilled circus artists whose physicality and artistry are put to the test in Lifschitz’ newest work.
Yaron Lifschitz
An article in the Australian Jewish News says: Lifschitz looks back on his career with lots of pride, as do his Jewish parents who may initially have preferred him to be a doctor.
Circa is at the forefront of the new wave of contemporary Australian circus—pioneering how extreme physicality can create powerful and moving performances. Circa pushes the boundaries of the art form, blurs the lines between movement, dance, theatre and circus, and leads the way with a diverse range of thrilling creations that ‘redraw the limits to which circus can aspire“ (The Age).
Over the course of 70 nail-biting minutes, HUMANS explores the limits of human physicality and perseverance. The stage remains stripped bare as the vulnerability of the artists is left exposed throughout this thrilling work. Seamlessly moving from one breathtaking acrobatic act to the next, HUMANS challenges both the artists and the audience members to answer the questions “what does it mean to be human? How can you express the very essence of this experience with your body, with the group and with the audience? Where are your limits, what extraordinary things can you achieve and how can you find grace in your inevitable defeat?” Lifschitz uses this work to report on what it means to be human. “In our limitations are our possibilities,” he says. It is “precisely because we are human that our physical achievements acquire dignity, meaning and poetry. It is in connection to our vulnerability that our strength finds its true articulation.”
In its glowing review, The Guardian (UK) sums up the power and beauty of HUMANS: “Circa’s brand new production Humans is the five-star favorite: a clear demonstration of the artistry of circus and its potential to draw together multiple theatrical forms. What I adored was its fluid take on humanity and gender roles: women caught men falling backwards; men leapt towards and were caught by men. As the ensemble moved themselves into sculptural, abstract shapes, reaching higher to the ceiling for the denouement, I felt moved by their vulnerable, collective humanity.”
Circa’s Artistic Director Yaron Lifschitz is a graduate of the University of New South Wales, University of Queensland, and National Institute of Dramatic Arts (NIDA), where he was the youngest director ever accepted into its prestigious graduate director’s course. Since graduating, Yaron has directed over 60 productions including large-scale events, opera, theatre, physical theatre, and circus. His work has been seen in 39 countries and across six continents by over one million people and has won numerous awards including six Helpmann awards and the Australia Council Theatre Award. He is currently Artistic Director and CEO of Circa, and was the Creative Director of Festival 2018: the arts and cultural program of the 21st Commonwealth Games. In 2018, Yaron directed four new Circa creations, and a new production of Idomeneo which opened in Lisbon at The Teatro Nacional de São Carlos.
White Bird’s 21st season (2018-19) is supported by the Regional Arts & Culture Council, including support from the City of Portland, Multnomah County and the Arts Education & Access Fund; Work for Art; The James F. and Marion L. Miller Foundation, Doris Duke Charitable Foundation, M.J. Murdock Charitable Trust, and Oregon Arts Commission.
How to Make Your Estate Work for You: An Afternoon with Leonard Duboff
Sunday, December 8, 1:00-2:30pm
Leonard DuBoff is one of the world’s leading authorities on art law. He has pioneered the field, written extensively on the subject, and lectured all over the world. Mr. DuBoff was a professor of law first teaching at Stanford Law School then at Lewis & Clark Law School in Portland, Oregon, for almost a quarter of a century, specializing in art law, corporations, agency partnership, and high-tech law. A member of Congregation Neveh Shalom, Mr. Duboff will provide insights into estate planning, wills and trusts, art law, and law for small business owners. Contact: dmarshall@nevehshalom.org.
Please note: Programs are subject to change; please contact the office for more information: 503.246.8831 or visit the website at: www.nevehshalom.org.
Wondering Jews: A Good Life and a Good Death / Understanding RX interactions
Wednesday, January 8, 2:00pm
A Good Life and a Good Death: How do new ideas, ancient rituals, and intentional approaches allow us to create a more meaningful life—and end of life—for ourselves and loved ones? Come hear personal and inspiring stories from CNS members including those who participate in the sacred work of the Chevra Kadisha and Shroud Crowd.
You Bet Your Life: Understanding (prescription and other) drug interactions: Interactions with prescription medications can cause hives, dizziness, comas, severe illnesses and even death. EXCLUDING opioids, data from hospital emergency rooms report nearly 500,000 American deaths will occur annually due to prescription drug interactions, and (non-opioid) drug interactions cost Oregon emergency room departments $32 million a year. This educational workshop will answer your questions, offer prescription guidelines and a checklist to help you identify drug interaction symptoms and (lifesaving) steps to take.