Wednesday, June 10, 7:00 – 9:00 pm
- Featuring Dan Anolik, Joan Glebow, Joel Glick, Les Milfred, Bruce Morris & Rob Vergun
- With Maggid Batya Podos
- Special guest: Joe Hickerson, folklorist & co-composer with Pete Seeger of “Where Have All the Flowers Gone?”
- Extra special guest from the Abayudaya Jewish Community of Uganda: Rachman Nachman
Fun for the entire family!
Admission: $18
Seating is limited. Please buy tickets in advance at http://leftysingalong.bpt.me
Exact address provided after ticket purchase.
A fundraiser for Hand in Hand: Center for Jewish-Arab Education in Israel
Sponsored by the Tikkun Olam Committee of P’nai Or of Portland
The Havurah invites the community to a Sunset Dinner at Grizzly Peak Winery in Ashland; The Best of Both Worlds, on Thursday, August 27 at 6:00 PM with light jazz by the Paul Schmeling Trio. Ashland Gourmet will provide appetizers from the Middle Eastern kitchen with delights such as tabouli, hummus, baba ganoush and more, followed by an entrée from the Spanish Sephardic tradition of Chicken Marbella and dessert of fresh fruit and baklava. The all inclusive price per person, which includes the wonderful wines of Grizzly Peak, is $60, and tables of eight can be reserved for $440. All reservations must be made in advance no later than August 19 by calling 541-488-7716. The event is a benefit for the Havurah.
Please join us for a very special evening of great music, fine wines, and delicious desserts for a beautiful end to your weekend. You will be treated to the musical gifts of Ilene Safyan, award winning singer and composer and talented, versatile pianist, Barry Lavine. They will perform some of your favorite music, including Jazz standards, contemporary favorites and some wonderful new surprises. This will be an evening to remember! $36.00. Tickets at: tinyurl.com/lightthenight2016.
IMAGE: “Shylock and Jessica” by Maurice Gottlieb (1876). A Maiden of Venice will be performed Aug. 6.
Portland Shakespeare Project and Proscenium Journal, in association with Artists Repertory Theatre, present the third annual Proscenium Live Festival of New Work. All performances are free and begin at 7:30pm on Artists Rep’s Alder Stage.
The 2017 festival will offer new plays each night featuring five outstanding playwrights. Full-length plays will be presented on Friday, Aug. 4 and Saturday, Aug. 5; three short plays commissioned by Portland Shakes and Proscenium Journal will be offered on Sunday, Aug. 6.
The Sunday performance will begin with “A Maiden of Venice,” an adaptation of Shakespeare’s most controversial play, told from the point of view of the Shylock’s daughter, Jessica.
The three-night festival features new plays written by award-winning playwrights Steve Rathje, C.S. Whitcomb, Aleks Merilo, Susan Mach and Patrick Wohlmut and are performed in a staged reading format featuring more than a dozen of Portland’s most talented actors on Artists Rep’s Alder Stage.
SCHEDULE
Aug. 4, 7:30pm: Artists Repertory Theatre’s Table|Room|Stage Oregon Play Prize Winner “Signs” by Steve Rathje; Directed by Michael Mendelson.
“Signs” is a surrealistic comedy about love, purpose and the little things that seem to matter so much to us. April reads horoscopes. Lydia writes horoscopes. April reads them devoutly, using them to guide her life choices. Lydia just makes them up, using the money she makes from them to support herself while she completes her novel. When April comes in contact with Lydia, the all-too-familiar force who has been transcribing April’s fate through her horoscopes all along, the story turns upside down.
Steve’s recent play Signs is winner of the $10,000 Oregon New Play Prize and is being developed and produced at Artists Repertory Theatre. ”Signs” was also a finalist for the National Eugene O’Neill Playwrights Conference.
Aug. 5, 7:30 pm: “Santos” by C.S. Whitcomb; Directed by Michael Mendelson
“Santos” is a new play set in Pasadena, California, circa 1968. Rafael Santos, in his heart, is Don Quixote, but in the real world is just trying to get cast as a bandito bit player while teaching high school drama and keeping his family together. A comedy with a side of tango.
Aug. 6, 7:30 pm: Three new plays, commissioned by Portland Shakes and Proscenium Journal.
“A Maiden of Venice” by Aleks Merilo, directed by Josh Rippy: In the walled Jewish Ghetto of Venice, a girl comes of age with only her money-lender father to guide her. When her father lashes back at men who have persecuted him, she is forced to choose between love, faith, and the debts we owe to family. An adaptation of Shakespeare’s most controversial play, it is told from the point of view of the Shylock’s daughter, Jessica.
“Coyote Play” by Susan Mach, Directed by Josh Rippy: “Coyote Play” (working title) is a contemporary re-imagining of the French-Romanian playwright Eugene Ionesco’s “Rhinoceros,” an absurdist piece which examines the normalization of Fascism.
“Patchwork Dreams” by Patrick Wohlmut, Directed by Brenda Hubbard: Penny is a Patchwork: an automated, obedient servant created from the bodies of deceased people. But when an accident results in the development of consciousness, Penny becomes something much more complex, problematic and potentially terrifying – not just to others, but to herself.
The festival is supported in part by an Ozy Genius Award, awarded to Steve Rathje by Ozy Media, and by Portland Shakespeare Project.
Portland Shakes is a nonprofit theatre company in residence at Artists Repertory Theatre dedicated to educating, enriching and entertaining audiences by producing classical works and contemporary works associated with classical material. Since its founding in 2010 by Michael Mendelson and Karen Rathje, more than 4,500 people have enjoyed the company’s productions of William Shakespeare’s As You Like It, King Lear, The Taming of the Shrew, The Tempest, Twelfth Night and The Turn of the Screw, as well as a many audience enrichment and education events. More information at portlandshakes.org.
Proscenium is the first free literary journal dedicated to publishing plays. Proscenium publications are free of charge and readily accessible online, allowing playwrights to share their work with a large, web-based audience. Proscenium Journal‘s mission is to support emerging playwrights, make new plays easier to discover, and make theatre easily accessible to new and wider audiences. Proscenium Journal: Supporting playwrights. Encouraging discovery. Making theatre accessible. More information at prosceniumjournal.com.
Rivkah began to play drums after being inspired by a Sevendust concert in Miami, FL. After a few years of being self-taught and playing in local bands, she attended Broward College in Davie, FL, as a music major and studied jazz drum set and classical percussion. Rivkah played and recorded with a variety of South Florida artists, including Andrew Bayuk, the four-time winner of the American Idol Underground Folk Competition.
In 2008, Rivkah moved to Los Angeles to study drumming at Musicians Institute. While being a student at Musicians Institute, she went on tours around California with Jeff Hershey and the Heartbeats, a 1960’s soul-rock band, and recorded and played with many other local artists. Rivkah opened for Dick Dale, the B-52s, and The New Mastersounds with Jeff Hershey and the Heartbeats. The band went on to complete three European tours, performing multiple dates in Spain, France, Italy, Germany, Belgium, Luxembourg, The Netherlands, and Switzerland. After touring with the band, Rivkah returned to Los Angeles and continued to play and record with two unique all-female jazz bands, Lady Jazz and the Hard Bop Chicks, as well as other artists. She gained an endorsement through Soultone Cymbals while living in Los Angeles, and performed with Stevie Wonder as part of a drum ensemble on Stevie Wonder’s Annual House of Toys at the Nokia Theater. In 2016, Rivkah relocated to Portland, Oregon, where she continues to perform.
Rivkah loves to teach and is a Certified Facilitator for The Rhythmic Arts Project, a non-profit organization that teaches life skills to students with disabilities using hand drums and specialized curriculum. She has worked with students with disabilities, as well as disadvantaged and chronically ill students, and she has a special interest in working with students who face challenges. Rivkah holds a Master of Education with emphasis in Special Education from Southern New Hampshire University.
Rivkah enjoys being out in nature, spending time with loved ones, writing stories, traveling, dancing, hiking, and inspiring and teaching others, especially girls and women, to play drums. Her favorite drummers are Roy Haynes, Cindy Blackman, Terri Lyne Carrington, Elvin Jones, Tony Williams, and Sean Reinert.