World Premiere of “Magellanica,” by award-winning Oregon playwright E.M. Lewis, directed by Dámaso Rodríguez
Play includes five parts. Runtime is approximately 6 hours.
Three 10-minute intermissions and one 25-minute dinner break.
Limited Run. Only 18 performances.
Regular run Jan 27 through Feb 18: Thursdays & Fridays: Feb 1 – 16 at 5:30pm; Saturdays & Sundays: Jan 27 – Feb. 18 at 2pm
DINNER: Dinner Break meals purchased separately, at least four days in advance, through the box office.
SHOW IMAGES Designed by Jeff Hayes
Artists Rep presents the World Premiere of Magellanica, by E.M. Lewis, directed by Dámaso Rodríguez from January 20 through February 18 on the theatre’s Morrison Stage. Magellanica is a five-part epic play written by Oregon playwright E.M. Lewis. This production is made possible through major funding from the Oregon Community Foundation (OCF) Creative Heights Initiative and the Edgerton Foundation New Play Award. Magellanica is a part of Portland’s Fertile Ground Festival of New Works.
In 1986, scientists and engineers from around the world converge at the South Pole Research Station to figure out, among other things, if there really is a hole in the sky. In the darkest, coldest, most dangerous place on Earth, eight imperfect souls are trapped together. Utterly isolated from the outside world for eight and a half months, this research team must face life or death challenges, their own inner demons and depend upon each other for survival.
With epic scope in the tradition of The Kentucky Cycle or Angels in America, this play takes its inspiration from the true story of the discovery of the hole in the ozone layer at the height of the Cold War. Part historical adventure, part love story and mystical foray into the unknown, Lewis has constructed a demanding, five-part epic that tackles issues of political, social and scientific urgency on a global scale. As Lewis says, “It has scientists as heroes. It’s about the importance of truth. It’s about a world that can either tear apart or come together for its own survival.”
“Magellanica falls into that rare category of plays that becomes more relevant with each news cycle,” says Artistic Director and Director of the production Dámaso Rodríguez, “the play grips you from its first moment and the five acts fly by. A piece of this magnitude doesn’t get produced every day, and requires in-depth exploration from all sides.”
Artists Rep is committed to premiering this piece because of its timely importance as tensions mount between the United States and Russia, the clock ticks on the warming planet and divisions widen between cultures. It’s a vital story for today and an extraordinary excursion for audiences to the ends of the Earth.
FOUNDATION AWARDS
Artists Rep received two major gifts in support of the World Premiere production of Magellanica. The Oregon Community Foundation Creative Heights Initiative awarded the company $75,000 and the Edgerton Foundation New Play Awards awarded $44,000 through the Theatre Communications Group.
The scale and complexity of the piece required that Artists Rep seek special “risk capital” for Magellanica, above and beyond the theatre’s typical contributed income. While the play has received developmental work at multiple theatres, no theatre has taken on the challenge of producing it. With a play that extends past the five hour mark and includes a large cast working in multiple languages, Magellanica needed three additional weeks of rehearsal. The technical and aesthetic demands of the design and the narrative structure also add complexity and expense. The Edgerton Foundation funded the additional rehearsal weeks, and OCF’s Creative Heights Award funded the increased production expense and covers some of the risk the theatre is taking on earned income, as the play’s length dictates a shortened run and fewer performances than a typical play would receive.
Over the last 11 years, the Edgerton Foundation has supported an extended rehearsal process for 385 World Premiere productions. Through this support, many plays have scheduled numerous subsequent productions, with 27 making it to Broadway. Fifteen plays were nominated for Tony Awards, with All the Way, Vanya and Sonia and Masha and Spike, Hamilton, Dear Evan Hansen, and Oslo winning the best play or musical awards. Nine plays have been nominated for the Pulitzer Prize for Drama, with Next to Normal winning in 2010, Water by the Spoonful in 2012, The Flick winning in 2014, and Hamilton winning in 2016.
ABOUT THE PLAYWRIGHT
E. M. LEWIS is an award-winning playwright, teacher, and librettist. Her work has been produced around the world, and is published by Samuel French. She received the Steinberg Award for Song of Extinction and the Primus Prize for Heads from the American Theater Critics Association, the Ted Schmitt Award from the Los Angeles Drama Critics Circle for outstanding writing of a world premiere play, an L.A. Weekly Award for Production of the Year, a Hodder Fellowship from Princeton University, a playwriting fellowship from the New Jersey State Arts Commission, and the 2016 Oregon Literary Fellowship in Drama. Her play Now Comes the Night was part of the Women’s Voices Theater Festival in Washington DC, and was published in the anthology Best Plays from Theater Festivals 2016. The Gun Show premiered in Chicago in 2014, and has since been produced in more than a dozen theatres across the country, including Coho Theatre in Portland, and at the Edinburgh Fringe Festival in Scotland; it was published in The Best American Short Plays 2015-2016. Other plays by Lewis include: Infinite Black Suitcase, Goodbye, Ruby Tuesday, Reading to Vegetables, True Story, Apple Season, and You Can See All the Stars (a play for college students commissioned by the Kennedy Center). In 2018, Lewis’ epic Antarctica play, Magellanica, will have its World Premiere at Artists Repertory Theatre in Portland. How the Light Gets In will have a reading in the Fertile Ground Festival. Song of Extinction will have a reading at the Portland Civic Theater Guild. And Lewis will spend five weeks in residence at Southern Illinois University at Edwardsville, teaching playwriting and working with students on the workshop production of a big, new political play set in her home state of Oregon called The Great Divide. In addition, Lewis will premiere Town Hall, a new opera written with composer Theo Popov, at the University of Maryland Opera Studio in February, and continue to work on a full-length, family-friendly opera, written with composer Evan Meier, commissioned by American Lyric Theater, called Sherlock Holmes and the Case of the Fallen Giant. Lewis is a proud member of LineStorm Playwrights, ASCAP, and the Dramatists Guild.
ABOUT THE DIRECTOR
DÁMASO RODRÍGUEZ is in his fifth year as Artistic Director of Artists Repertory Theatre. In 2001 he co-founded the Los Angeles-based Furious Theatre Company, where he served as Co-Artistic Director until 2012. From 2007-2010 he served as Associate Artistic Director of the Pasadena Playhouse. His directing credits include work at Artists Rep, Playwrights’ Center, the Pasadena Playhouse, Intiman Theatre, South Coast Repertory, Laguna Playhouse, A Noise Within, The Theatre@Boston Court, Naked Angels and Furious Theatre. Rodriguez is a recipient of the Los Angeles Drama Critics Circle Award, the Back Stage Garland Award, the NAACP Theatre Award and the Pasadena Arts Council’s Gold Crown Award. His productions have been nominated for multiple LA Weekly Theatre Awards and LA Stage Alliance Ovation Awards. In 2012, Rodriguez was honored by the Stage Directors and Choreographers Foundation as a Finalist for the Zelda Fichandler Award. He is a member of the Stage Directors and Choreographers Society (SDC).
Directing credits at Artists Rep include the World Premiere musical Cuba Libre by Carlos Lacámara featuring the music of three-time Grammy-nominated band Tiempo Libre; the Portland premieres of Stephen Karam’s The Humans, Branden Jacobs-Jenkins’ An Octoroon (co-director), Nick Jones’ Trevor, David Ives’ adaptation of Pierre Corneille’s The Liar, Nina Raine’s Tribes and Exiles by Carlos Lacámara; the U.S. premiere of Dawn King’s Foxfinder; the West Coast premieres of Charise Castro Smith’s Feathers and Teeth, Jeffrey Hatcher’s Ten Chimneys and Dan LeFranc’s The Big Meal; and revivals of The Skin of Our Teeth by Thornton Wilder, The Miracle Worker by William Gibson and The Playboy of the Western World by J.M. Synge. Credits at other theatres include productions by contemporary and classic playwrights including Craig Wright, Neil LaBute, Matt Pelfrey, Peter Sinn Nachtrieb, Richard Bean, Owen McCafferty, Alex Jones, William Shakespeare, Eugene O’Neill, Tennessee Williams, Noel Coward, Bernard Shaw, Clifford Odets and Lillian Hellman. Upcoming directing projects for Rodríguez are Magellanica by E.M. Lewis at Artists Rep, Romeo & Juliet by William Shakespeare at the Oregon Shakespeare Festival, and We, the Invisibles by Susan Soon He Stanton at Actors Theatre of Louisville. www.damaso- rodriguez.com/
Raoul Wallenberg: To Me, There’s No Other Choice.
Learn the story behind the Swedish diplomat who single-handedly saved thousands of Jews in Nazi-occupied Hungary during World War II.
By issuing protective passports and buying buildings to establish as sovereign Swedish territory in Budapest, Wallenberg was able to shelter Jews during 1944 and save an estimated 15,000 lives in just six months. His life and legacy stand as a testament to moral courage and fortitude, especially in the tragedy of his ending.
From the Swedish Institute in Stockholm, this exhibit is generously sponsored locally by Barry Peterson & Darlene Peterson and EPrint, with additional support from the Swedish Institute.
Our gallery is open Monday through Friday, 9 am-5 pm, and weekends 9 am-3 pm.
Please join Congregation Shaarie Torah for a special Shabbat morning service. At this service, we will include new melodies, explore the service with some reflections on the prayers themselves, and chant according to the Triennial cycle of Torah readings. It will be a mix of the beautiful and familiar traditional Shabbat morning service and new ideas and energy. This service meets in the Chapel downstairs on the third Saturday of the month.
Torah Troop for 3rd-5th Graders
1st and 3rd Shabbat every month at 10:00am
Meet in the MAIN service (Stampfer Chapel or Main Sanctuary) for the beginning of the Torah service, and then come out with your friends for a fun and active lesson on the Torah portion (parsha) of the week. Return to the service to help lead Adon Olam, and join the community for lunch!
The Feldstein Library presents a book and film discussion.
Love to read, watch films and make new friends?
Join us for our book and film book club where we read a book and watch a film related to the book.
This month we are reading Second Person Singular by Sayed Kashua and viewing the movie Sayed Kashua: Forever Scared.
For more information, email: kgoldhammer@nevehshalom.org.
Learn to play this ancient game. It will give your mind a workout!
Register: oregonjcc.org/registration
Registration Code: CG203
Take your game to the next level. It will give your mind a workout!
Register: oregonjcc.org/registration
Registration Code: CG204
Concert pianist, David Rothman, is a virtuoso when it comes to performing the complete great works of piano repertoire. In 2002, he played from memory all the Beethoven sonatas in a period of five weeks. In 2015, he performed the complete works of Frédéric Chopin. With accompanist, Michael Barnes, he has also played twelve concertos, including the Brahms Concerto #2 and Schumann Concerto in A minor.
Now David Rothman tackles all of the piano sonatas of the great Classical composer Wolfgang Amadeus Mozart.
David Rothman was born in Toronto, Canada in 1962. When he was two, his family moved to Los Angeles. At 6, Mr. Rothman began to study piano, and at ten, he was accepted into the Menuhin School in England. Nadia Boulanger was among the panel who accepted Mr. Rothman into the school. At 17, he was accepted into the Curtis Institute where he studied with Mieczyslaw Horszowski.
Register: oregonjcc.org/pianoseries
Enter the world of Anne Frank as told by her stepsister and childhood friend, Eva Schloss. At 8 years old Eva became friends with Anne, playing hopscotch and drinking lemonade together. Her story is difficult to imagine, yet it reminds us that the power of good is immeasurable and that love makes a difference.
Attorney General Ellen Rosenblum will be interviewing Eva that evening. A former federal prosecutor and state trial and appellate judge, Ellen Rosenblum was first elected to a four-year term as Oregon’s 17th Attorney General in November, 2012 and was re-elected to a second term November 8, 2016. She is the first Jewish woman to serve as Oregon Attorney General.
Ezra Weiss and the Monday Night Big Band
Ezra Weiss was profiled in November’s Oregon Jewish Life Front & Center section. Besides rave album reviews and airtime, he teaches at Portland State University.
Ezra Ezra Weiss Big Band will be making its debut at the 2017 Portland Jazz Festival. “I will be conducting my compositions with some of my favorite musicians on the planet,” says Ezra.
Musicians are:
John Nastos, Tim Jensen, Devin Phillips, Renato Caranto, Mieke Bruggeman, reeds
Greg Garrett, Charlie Porter, Derek Sims, Tom Barber, trumpets
Stan Bock, John Moak, David Bryan, John Onstad, trombones
Dan Gaynor, piano
Eric Gruber, bass
Alan Jones, drums
Chaz Mortimer, percussion
Marilyn Keller, Jeff Baker, guest vocalists